What Motivates You?

Bill O'Hanlon wrapped up the final day of the WD conference with a very appropriate topic; energizing your writing with your skill and perseverance. He and other authors shared their motivational sources and stressed using your emotional states of Blissed, Blessed, Pissed and/ or Dissed in your writing, to keep yourself going even when it gets tough.

Motivation can come from both negative and positive events in your life. Who would guess that a career as a mystery writer would begin for Sue Grafton, while dreaming up imaginative ways of killing or maiming her soon-to-be ex-husband? If you're angry about a particular condition or a crusader who wants to change the world, like Andrew Vachss in his crime fiction, channel your anger into your writing.

What's your motivation?

When Is It Time To Get a Freelance Editor?

At the WD conference on Saturday, three independent editors, Alice Rosengard, Ruth Greenstein and Linda Carbone led a lively session on the freelance editing. I've blogged about this issue in recent weeks and decided to attend the session.

The freelance editors discussed when the need for their services arose, as editorial departments at various publishing houses began to downsize. They also provided several means of locating editors through other writers, Publishers Marketplace, and direct hire. They shared their individual approaches to editing, looking at technical concerns such as POV, sequence of events, character development and veracity; the average costs of such services, the length of time it can take dependent on the quality of the work, and the things a freelance editor cannot guarantee the author, such as a sale.

The topic is of particular interest to me because I've decided to hire a freelance editor, whom I had the pleasure of meeting two years ago at the Historical Novel Society. We've barely started but I'm already impressed by her professionalism and the recommendations I've had from her previous and current clients. What made me decide to do this? As Ruth Greenstein advised attendees today, I've reached a critical point in my manuscript; I've done as much as I possibly can with it. It's gone through a critique group and I've revised and edited until I felt I would go mad. Now, I feel is the time for fresh eyes to spot the difficulties I'm NOT seeing.

I don't know what the result may be, but for a work that is so precious to me, I've often referred to it as my baby, it's worth the investment.

What Kind of Writer Are You?

Jane Friedman, editorial director of Writers' Digest, started her session, Decisions, Decisions: Deciding the Best Publishing Route for You at the conference, with "What Kind of Writer Are You?".

a) The "God" Category
You want to be published by the big six publishers and make millions of dollars. You live and breathe your writing and you may just have the commercial appeal to pull it off. But even though you are the God of Writing, you still need to: promote! promote! promote! (So, apparently even gods have to do some work.)

b) "Growing" Category
People who are starting out and are focused more on the writing and have room to grow in the marketing world. You're on your way (possibly) to acknowledging that rejection is part of the business but you're willing to be persistent.

c) "Authority" Category
Especially for non-fiction writers; you know your audience better than a mainstream publisher or you've created a niche for yourself and you can convert fans of your work into buyers.

I'd define myself as a growing writer, because quite frankly, I'd never consider myself in the "God" category. My critique groups can attest to this, cause I often actually say in my comments to them that I'm not the God of Writing.

I've met enough writers with ego who aim to be Gods and I wish them good luck with it. They have the drive to get there and the single-minded motivation to do it. I had a friend once ask me, if I wasn't aiming for the stars, what would be the point?

While publication is the ultimate goal, if it never happens, I won't stop living. It is one part of my life; a very important part but my success or failure at it doesn't define me.

So, what kind of writer are you?

Writers' Digest: The Business of Getting Published

This weekend, I'm at a conference in NYC, the Business of Getting Published, sponsored by Writers' Digest. I attended the opening address by Mike Shatzkin and Jane Friedman's session on deciding the best route towards getting published.

This is only the second writing conference I've attended, but I love them, for the chance to network with fellow writers. It's always reassuring to realize that whether fiction or non-fiction, we share the same concerns regarding the current and future state of publishing. Especially when the universal approach from most publishers has become an expectation that their authors should do more (Facebook, Twitter and all social media - promote! promote! promote!) with potentially less (advances, that is).

I'll be blogging about the conference all weekend. Looks to be a good one.

A Dirty Little Secret

If you hired a freelance editor to help you re-work your manuscript, would you ever admit it? To anyone?

I've discussed this option with a friend of mine recently, who has hired a mutual acquaintance of ours. With the freelance editor's help, my friend is writing better than ever. There's a prevailing stigma against having a freelance editor, because people often associate them with scams. One of my favorite blogs, The Rejecter, posted a lively discussion about this same topic here. The consensus seems to be that most often it's a scam and that even if the freelance editor helps the author improve the work, there's no guarantee of a sale. Also, even if you hire one, never EVER admit to having done so to an agent or editor, because somehow this makes the work less worthy.

As with anything, I think you have to use common sense in considering a freelance editor and ask a few questions before paying someone to edit your work. What experience does the freelance editor have? Better yet, does he / she have a previous client list they're willing to share, preferably one with authors who've actually gone on to sell the work the freelancer edited? How much is the freelancer charging? Do they do sample edits, and if so, do you feel as though the freelancer is knowledgeable and helpful?

There's such a stigma attached to paying someone else to edit your work, but for those who see real value in it, I wonder, what's the harm?

Build It, Blog It and They Will Come...

...Fans and other writers, I mean, not agents and editors. When you're not published, it can seem unnecessary to establish an Internet presence. You don't have a published work readily available for sale, and it's unlikely an agent or editor scanning the Web will come across your work and contact you (God, if only it were that easy). But it's a mistake to think this way, because then you're missing out on the opportunity to build a future fan base and connect with other writers.

In the last two weeks, strangers, old junior high and elementary school friends, and even the principal of my junior high school who reads historical fiction, have contacted me just because I've established a web presence. And a week ago, I met another wonderful writer who's as interested in the Norman Conquest period as I am, and we've talked on the phone and exchanged emails since then. Most of my writing friends have always provided me encouragement, but there's no denying the thrill I get when a stranger or someone unexpected stops by my website, personal blog or any of the other sites I contribute to, just to say, "I love what you're doing and can't wait to read your published works."

In September, I'll be attending the Writers' Digest Conference: The Business of Getting Published, where a few of the sessions will be on building an effective author website, and marketing and promotion. Clearly, an Internet presence is key to establishing a writing career, especially now that publishers spend less than in the past on promoting authors. I'm excited to learn more, so I can hit the ground running when I get my first sale.

A Lovely Blog Award

Since my dear friend Anita Davison was kind enough to mention me for A Love Blog Award, I'm sharing the wealth:

Catherine Delors is a wonderful writer, the author of Mistress of the Revolution, and her blog is Versailles and More, features fascinating articles about life for the decadent French court and the tragedy of the French Revolution.

History Buff, the blog of author Michelle Moran, has great links to items on archaeological history. Michelle's first two novels on Egypt's Amarna period have been bestsellers, and her love of archaeology and history enriches her writing.

And, if you're fascinated by the 17th century, Hoydens and Firebrands, has fascinating articles and biographies of the period.

Somebody Really Likes You When They...

...nominate you for a blog award.

A darling friend Anita nominated me for a Lovely Blog Award. Since I haven't done regular updates (bad Lisa) and have just been moaning to her lately about my struggles (poor, poor, poor Lisa), I wondered what I could have possibly done to deserve the nod. But then I read her wonderful post.

She also helped me put things into perspective, because at the end of the day, what matters most are the people who believe and support, offer a shoulder to cry on when times get tough and cheer at even the smallest accomplishment. That makes any struggle on the road to publication worthwhile.

Thanks, Anita.

Recession? What Recession?

These days, it seems all anyone can hear or read in the news is about the recession, except when it's about the swine flu. Swine flu - that's such an obnoxious sounding name.

It appears publishers are paying attention to doomsday forecasters, but readers aren't. Thank God. I know readers are still buying, cause I'm one of them. I just added the latest Sookie Stackhouse novel, another book on pirates and my personal favorite title, "Bullies, Bastards & Bitches - How to Write the Bad Guys of Fiction" to my shelves. Honestly, the last thing I need is more books on the shelves. I can't even stack them properly so there's a little pile of books forming on the floor next to the bookcase.

Anyway, scanning the news on book sales during this recession, the common theme is: books sales are up, despite the recession, whether it's e-books or romances. Theories abound from books offering a cheap means of escape from economic realities (if you can't fly to Parish this year, read about someone who did) to the escapism books offer as a whole (if you're working long nights to bring home the bacon and leaving little time for romance, at least you can read about someone else's romantic adventures). I'll also add that if you're a historical fiction writer and you like to have your research aids handy, and avoid running off to the library each time you need to check your sources, you aren't going to stop buying books any time soon either.

Unfortunately, bookstores have been cutting back on their orders in anticipation of slower sales and some have closed altogether. Even worse, I'm hearing that publishers don't want to take on new authors or have significantly reduced their advances. Some New York publishing houses have announced layoffs and / or executive shake-ups. All of this seems out of step with the needs of readers, who are still buying books.

So what does all this mean for the writer? Keep on writing. To flip the age-old adage, what goes down, must come up. And hopefully, the economy that is tanking has bottomed out or will very shortly. When you've hit rock bottom, the only direction is right back up. And, in the year(s) that it takes the economy to rebound, that gives a writer plenty of time to research, write the first draft and revise for the second. Plenty of time to hit the ground running when publishers realize readers still want their books, even during a recession.

I just found out Penguin was formed in 1935, during that really, really, really big recession known as the Great Depression. If Penguin survived that period, I think the large publishing houses can ride out this one out too.

Rejection: The Ugly "R" Word

I wish I had pearls of wisdom for how to handle rejection. I'd distribute those gems to myself and fellow writers generously. Unfortunately, rejection is part of the quest for publication. But at some point, when the rejections pour in, you do start to wonder: is it time to give up on this project? Or, even worse, is it time to give up on writing altogether and take up knitting?

Since I don't know how to knit and refuse to learn because I've seen someone jabbed by a knitting needle (it's not as harmless as one would think), I persevere with my writing. Two weeks ago, I received a rejection for another work Bound by Blood. Feeling sorry for myself, I went off to into my quagmire of doubt and self-pity for a bit. And because I like to depress myself, I opened up the database where I keep track of my queries to find the fifty-seven rejections I have for Sultana. That's right, fifty-seven rejections racked up between agents and publishers. Some writers might be awed by that number, others would say when I've racked up a hundred rejections, then it's time to re-evaluate. I have no clue how to evaluate the number, but I can pinpoint a few that have dented, dinged and chipped my writing soul.

Then today, I stumbled on a blog that asked a wonderful question; for those of you born to write, do you also believe you were born to be published? I've blogged about the joy of writing and I can even recall when I decided, more than four years ago, that the joy of writing had morphed into a real goal of publication. There's a huge difference between wanting to write and wanting to be widely read and receive criticism on your work. Writing can be a very self-indulgent, lonesome activity. It's another thing entirely to open up your work to the public. To invite criticism and rejection on a larger scale than a few queries could ever solicit.

When I was down in the dumps, a lovely member of a critique group helped me put a smile on my face again, with this hilarious take on how one author handled rejection.

We Are The Market?

Among my favorite blogs are the blogs of agents, editors and/or their assistants, e.g. Chuck Sambuchino's Guide to Literary Agents and The Rejecter. I' ve had some writing friends say that an agent who blogs isn't selling, but we all need a little down time in my opinion. And, blogs by contacts in the industry are the first stop for those of us still struggling to secure contracts.

A little while back, I had a slight meltdown entitled Watch the Market . Then today, I read the Rejecter's latest blog article. In part, it explained the publishing market and why it is the way it is: readers buy the books, publishing companies track what readers buy, and editors contract for similar works, either as more of the same or with a slightly different twist. So, if I want to see more historical fiction out there, I have to buy more. Or, if we all go out and buy self help or memoirs, there'll be more of the same. Got it now? Good because if there's anything I love more than writing a book, it's reading one. Reading has been one of my first loves since I was a child and my collection has grown to the point where I now give away all my favorite fiction because my shelves are filled with the research books I need. But honestly, I never gave much thought to how I might be influencing the type of books that clutter bookstores.

This whole thing has a chicken or egg feel to it, though. We tell the publishers, "yes, we want to see more great historical fiction" so they publish more. Except, who really sets the market in motion: the writer who writes very well, the agent who makes the sale, the editor who accepts the manuscript, the marketing team's blitzkrieg of promotions or the readers, like me, who love the book / author and just want more of the same?

I'm going to be thinking about this one for a bit.