Showing posts with label publishing. Show all posts
Showing posts with label publishing. Show all posts

Tuesday, February 7, 2012

Don't let publishing kill your soul

If you're wondering where this morning's inspirational message comes from, for several days I've been exchanging emails with other writers on their struggles in publishing. One has retreated in a cave of self-loathing because her debut has been targeted by a gang of jealous internet bullies, all because she self-published her work. Another long-time, dear friend of mine has been offered a deal with the devil in her latest contract, where she's expected to sign away rights to her book for the copyright period. Someone whom I'm greatly admire has been reduced to bitter tears of frustration because she hasn't enjoyed the successes of other writers, despite her own terrific skills. Another has stopped querying altogether after receiving the last rejection of his poetry anthology and has no plans to self-publish.

To all these friends and others like them, I say do not let the business of publishing rob you of the desire to write, query, pursue a traditional contract or self-publish. You make your own success and you won't do it by giving up on your goals. Define success by your own terms, and if you have to start in small increments, then so be it. Some writers are lucky to sell thousands of copies in their debut month. Be happy for them or not, but focus on your own writing efforts. Keep realistic, positive and attainable goals in mind. "I want to sell a hundred books this month" is a common goal I often hear  from other writers, but what happens when readers don't respond the way you want them to do? Does that mean you stop writing and just wait around for those hundred sales?

As much as we can't lose sight of our goals, we also can't treat our publishing efforts as anything but a business. That means putting forward the best product possible; it is the only thing we can directly control. Some will love it, others will hate it for reasons that have nothing to do with us, all revolving around their own expectations. We only, truly fail when we don't try harder, when we let publishing turn our love of writing into something we loathe or no longer recognize. Don't let this business kill your soul.      

Sunday, January 1, 2012

Truths about publishing


Happy New Year! The arrival of 2012 has me thinking about the writer's journey and what I've learned. Several years back, writing was little more than a hobby for me. It is amazing how a critique group and the feedback of other authors changed my perspective. I have gained from the experience of turning a mild interest into a goal for publication, but knowing the following truths beforehand would have aided my journey:

Nothing guarantees traditional publication. As much as your agent may champion the writing, there are other reasons the manuscript has not sold, factors beyond his or her control. There is always the possibility that the work, while good enough to attract an agent’s attention, is not up to a publisher standard. An editor may be interested in a manuscript, but is the chosen genre already overly saturated genre or focused on an old, tired topic? The publishing house might have already chosen the six vampire-related books for release in a particular year. Perhaps the market is too small and the book is not commercially viable – as much as the editor may like the project, a publisher will not invest in a manuscript that does not scream limitless potential.  The only factor within the author’s control is to write the best book possible.

There are many paths to publication. A Chinese proverb states, “There are many paths to the top of the mountain, but the view is always the same.” Whether starting out with a submission to an agent or editor in the hopes of landing a traditional contract, or taking the steps in self-publishing, the aim is to find others who see value in the final manuscript. Along each path, there are the proverbial forks in the road, each requiring a choice. Those decisions often hinge on the idea of control – how much must be maintained or surrendered in the accomplishment of the aim. Whatever the path toward publication, the goal remains the same: to gain readers.     

“Build it and they will come” does not apply to readers and reviews. Even if a book is well written and promoted by various marketing efforts, it may not capture a large audience. Readers do not have limitless money or time.  While the author’s objective is to convince readers that the book is entertaining, inspirational or perhaps even life changing, the intended audience may still be asking, “What’s in it for me?” For those books that do well, getting the word out is critical. Reviews are an integral part of promotion, but writers often wonder why it is so difficult to obtain them. The reader needs a reason to review – perhaps the writing touched an emotional cord, or gave instructions that are not otherwise obtainable. Gaining an audience and getting their vital opinions all starts with the book.

Trends fade, but readers’ desires remain the same. Why do we read? Of all the things we could each be doing with our valuable time, what satisfaction does reading a good book provide? Whether it involves getting lost in an alien or unfathomable world or finding spiritual strength through another’s journey, reading fills some void inside each of us, by expanding our knowledge and awareness, or entertaining us. To increase our visibility, it may seem that authors have to focus on certain markets. Yet, all writing should start with passion and interest. If we do feel any enthusiasm for the topic in the first place, how can we convince readers to invest their time? When we write, we invite readers into our experiences and imaginations. Let them know the time spent was worthwhile.


Tuesday, December 27, 2011

Writers' Conferences in 2012

Looking to network with fellow writers, agents and editors next year? I can't say enough good things about writers' conferences for building those all-important connections. So far, I've managed to attend meetings of the Historical Novel Society and Writers' Digest, both well worth the costs because of the diverse topics each offered to writers. You can learn the basic elements of craft, how to sell manuscripts and market your published works, insight into character sketches and research, or pitch to your dream agent or editor. Conferences are one of the best opportunities to aid personal growth and reach your publication goals. If you're worried about financing a future trip, I hope this listing of the following conferences in 2012 will give you ample time to save up - you'll want to attend at least one these venues next year. 
January 2012
2012 Writers' Digest Conference: January 20-22, Sheraton New York Hotel. $525 for general three day registration, $375 for Saturday attendance only or $275 for student registration with student ID and proof of enrollment. Note that this does not include room reservation. Highlights: Author Barry Eisler & agent Chuck Sambuchino.  


13th Annual Society of Children's Book Writers & Illustrators Conference: January 28-29, Grand Hyatt, NYC. Early registration rate of $360 for members, $450 for non-members. 

February 2012
2012 San Francisco Writers Conference: February 16-20, Intercontinental Mark Hopkins Hotel, California. $595 general registration (ends December 31, 2011), $695 thereafter, $645 includes Speed Dating with Agents session. Room rate $179 per night. Highlights: Author Lisa See.  

March 2012
Sleuthfest 2012: March 1-4, Royal Plaza Walt Disney World Resort, Orlando, Florida. Sponsored by the local Mystery Writers of America chapter. $255 for MWA members, $275 for non-members by January 15 to avoid a late fee. Room rate $119 per night. Highlights: Author Charlaine Harris. 


April 2012
Romantic Times Booklovers Convention: April 11-15, Hyatt Regency O'Hare Hotel, Rosemont, Illinois. Varying rates for writers and industry insiders. Room rate $130 per night. 

May 2012
DFW Writers' Conference: May 19-20, Hurst Conference Center, Dallas-Forth Worth, North Texas. Regular registration $295 until March 19, late registration $325 until April 19; thereafter $350 until May 19. Highlights: Author James Rollins.

Backspace Writers Conference: May 24-26, Radisson Martinique, NYC. $425 conference registration through February 1; $525 thereafter OR $595 conference registration includes author-agent day through February 1; $720 thereafter.  Call for room rate. Highlights: Agent Donald Maass


June 2012
32nd Annual Romance Writers of America Conference: July 25-28, Anaheim Marriott, California. Registration opens January 16. Varying rates based on member, non-member and early or late registration status. Highlights: Authors Stephanie Laurens and Robyn Carr.    


July 2012
7th Annual ThrillerFest: July 11-14, Grand Hyatt, NYC. Varying registration packages. Call for room rates. Highlights: Authors Jack Higgins, R.L. Stine, Lee Child and Catherine Coulter (whom I always thought of as a romantic novelist - learn something new everyday!).


August 2012
Killer Nashville: August 24-26, Hutton Hotel, Tennessee. Varied  registration rates, including student and senior citizen discounts. Highlights: Authors C.J. Box and Peter Straub.  


September 2012
8th Annual UK Historical Novel Society Conference:  September 29-30, The University of Westminster on Regent Street, Central London, United Kingdom. Registration details forthcoming.


October 2012
Surrey International Writers Conference 2012: October 19-21, Sheraton Vancouver Guildford Hotel, British Columbia, Canada. Receive updates on registration rates. Check room rates online. 


November 2012
American Christian Writers Conference: November 2-3, Phoenix, Arizona. Registration details forthcoming.


December 2012
Check back for updates.


If you decide to attend any of the conferences, safe travels, and enjoy the experience! I'm sure you'll find it worthwhile.

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