Thursday, October 10, 2013

The Public Alhambra: Fatima's Perspective in Sultana - Part I

The Sultana series introduces readers to the real-life Moorish heroine Fatima, her husband Faraj and the rest of their family, all members of  the Nasrid clan, the last native Muslim dynasty in Spain. Sheltered from her youth within Granada's Alhambra (al-Qal’at al-Hamra), Fatima married Faraj, a paternal first cousin to her father Muhammad II in 1266 when she was between the ages of eight and twelve. Faraj was ten years older than his young wife. She died in her early nineties on February 26, 1349. Her husband preceded her in death some twenty years before, in February 1320. During Fatima's long years, she would have witnessed alterations to the complex of palaces, barracks, industrial and commercial quarters, mosques and baths at Alhambra. Although raised as a princess within the harem, Fatima did not remain hidden behind those walls. She would been familiar with all parts of the public domain her grandfather, father, brothers, son and grandsons ruled. From the dank, lowliest dungeon in Alcazaba to the delicate beauty of the summer palace at Alhambra, the Generalife, Fatima would have seen it all.


From the time her paternal grandfather Muhammad I occupied the site of Alhambra in 1237, thirteenth-century visitors and occupants of the site would have entered and left through its main medieval gate, along a course no visitors to Alhambra can see today. Referred to as the Puerta de Las Armas today, the precursor of this gate rose above what is now a neglected cobblestone path, permanently closed to all except Alhambra researchers. The route would have granted access to the complex for visitors from the north via a bridge over the Darro (Hadarro) river, and from the west up a hill, which the Moors called the Sabika. The gate connected with one of the oldest parts of Alhambra, its Alcazaba (al-Quasaba), which has existed since at least the ninth century during the first two centuries of Moorish rule over southern Spain.

As the most fully excavated portion of the complex, Alcazaba was the citadel of Alhambra, where the barracks of the officers and sentries existed in the shadow of a watchtower Fatima's grandfather built, the Torre de la Vela. This squat tower affords one of the best views of Granada, if you're willing to undertake a climb up the spiral stair inside to reach the top. Alcazaba was a construction of the Zirid period in Granada, during which Muslim rulers and their Jewish viziers developed the foundations of the citadel Fatima would have been familiar with in her lifetime. During his forty-year reign, Muhammad I enlarged Alcazaba by adding the Torre de la Vela. He provided water access for his men via a canal into which the Darro flowed. Water allowed for the addition of a cistern and bath. More than soldiers lived at the barracks of Alcazaba. The foundations of the excavated buildings indicate they would have accommodated families. But this is was not just a location where Granadine warriors gathered with their wives and children, enjoying meals and music beneath the stars at the end of a long day.


At the western end of Alcazaba, at the base of the Torre de la Vela, the sultans held their prisoners; captives for ransom and subjects who had fallen into disfavor. Unfortunates consigned to the cell descended via a ladder into a conical-shaped room with a trapdoor that left them no means of escape. Fatima would have been unable to escape their cries. In later years, when her full-blood brother Muhammad III poisoned their father and threw the man's servants into this dungeon, a warden took pity on them and offered the occupants some bread. When Muhammad III found out, he had the warden's head cut off and ordered it held over the trapdoor, dripping blood on to the prisoners, so that they could "have something to drink" in his words. During Muhammad III's reign, he also resided on the second storey of the Torre de la Vela at times.

Moving from the west, in the thirteenth-century a makeshift marketplace bounded by a precinct wall and a small ravine separated Alcazaba from the administrative areas of Alhambra. The northern boundary wall allowed visitors and residents to pass from this space, but it's impossible to know the thirteenth-century version of what preceded the sixteenth-century Patio de Machuca, which now occupies the west of the so-called Mexuar, or council area. Part of the reason some think the Mexuar was the council chamber likely comes from one tile in the room, which reads "Do not be afraid to ask for justice, for you will find it." Today, this space is where most visitors to Alhambra are invited to enter the palace. It's believed the foundations of a ministerial body developed during the reign of Fatima's father Muhammad II, perhaps prompted by what he had seen of the Castilian rudimentary parliament, the Cortes, during a visit to Seville in  December 1273. His council, the Diwan al-Insha, included some of the most preeminent men of Granada who served as secretaries, and heads of departments. A thirteenth-century lantern of stained glass once caught the sunlight filtering into this room. North of the Mexuar is a room designated as an oratory, retaining a wall inscription, "Do not be negligent. Come to prayer." The oratory opens up to a northwestern view of the Darro and the Albaicin neighborhood  known from Moorish times as al-Bayazin.

Later, I'll have more the public spaces Fatima would have been familiar with from the reign of her father, including what is now called the Hall of Ambassadors and the Court of Myrtles, the Partal buildings from the time of brother Muhammad III, the towers of her half-sibling Nasr I and the summer palace her son Ismail I built on an incline overlooking Alhambra.

For more, check out this virtual walking tour of Alhambra from Saudi Aramaco World.

Wednesday, July 31, 2013

Promoting and selling ebooks with Ganxy

Visitors to my author website will notice a change on the page where books can be bought. I'm using Ganxy to facilitate the delivery of ebooks to readers who want to buy direct from me (at a discount) and I'm providing links to major retailers. If you're looking for a simple, easy to use interface for delivery of digital content, Ganxy is a great tool.

To get started, use the link above or go to http://get.ganxy.com/ to set up an account. You have the option to create an account with your email address and password, or sign up through Facebook or SoundCloud. Personally, I prefer the first approach - you never know when FB may tick you off and make you want to delete your account! (That would be another blog post, for another day.)

At Ganxy, you have the option to create two types of campaigns; to sell direct and provide access to retailers or set up time-limited giveaways. I'll be trying the second feature with Sultana: Two Sisters when it's available this winter. There are minimal costs involved with both approaches. If you're selling through Ganxy, you'll receive 90% of the revenue directed to a PayPal account. Note; PayPal charges additional fees for non-US account holders. For giveaways, there's a small fee as well; details to follow in a future blog post.


Step 1: To get started with sales, click on "Sell Directly and Generate Sales" and setup your ebook, adding the title name, author and description. At any stage, you can preview the process.

Step 2: Next, you have the option to sell directly and list retailers who are already selling your content. All the major retailers are there: Apple, Audible, CreateSpace, Kobo, Sony, Smashwords, Walmart, Target, Barnes and Noble (who knows for how long), and of course, Amazon.com and Amazon UK. On Amazon, since there are now multiple sites beyond the US and UK areas, I tried to use my Viewbook.at links (which routes interested buyers to their particular Amazon regional store) only to discovery that Booklinker is now  in charge of this site. Hmm. Will muddle through all that later. I'll update this post if the Viewbook now Booklinker URL's work. 

You can also specify the format(s) offered at each retailer; ebook / print / ebook and print or audiobook. So I've specified On Falcon's Wings as being available as an audiobook through Audible and as an ebook and print from Amazon.com. One issue I found was that every retailer through whom I currently sell books isn't indicated. For instance, my ebooks are available online through Casa del Libro, one of Spain's chain bookstores, but I'd need to have Ganxy approve the link.

On selling your own work, you must provide the formatted files yourself; Ganxy does not offer conversion services. Upload your own DRM-free mobi, ePub or PDF files. Ganxy will review these files before you're allowed to sell directly. If you do want to provide your content for direct sale, be sure to indicate the price. You do not have to enable the direct sales feature; if you want to use Ganxy just to provide links to retailers, no problem.

For each ebook, you also have the option to include social media links to post your showcased work on Facebook, Twitter, Pinterest, and Google +, AND visitors can subscribe to receive emails from you. I'm using MailChimp already, so I'm not sure about that last bit.

Step 3: Almost done! Now add your ebook cover image (JPEGs and PNGs only) up to 2MBs, any excerpt and YouTube book trailer. Click Finish to share your content via social media or embed it on a website.

Edited to add: Best of all, make ANY updates to your Ganxy product and the changes will appear on your website without you having to reformat anything on the webpage.

What I like

  • The ease of adding ebooks
  • The seamless integration into my website; I'm still muddling along with HTML, but copying a couple lines of code and inserting them into my website was very easy. The final result looks great.
  • Speaking of which, the visual appeal of each showcase for an ebook

What I don't like

  • That I didn't know about Ganxy until earlier this year
  • That it took me so long to get my act together and showcase each of my ebooks.

All of which are issues outside of Ganxy's control. They have made the process incredibly easy and I haven't found anything I don't like about their system for delivering ebooks. Anyone else using Ganxy? I'd love to have your feedback.

Want more information on Ganxy? Find helpful details on how it works.

Here's an example of a finalized Ganxy showcase:

"Sultana: Two Sisters (A Novel of Moorish Spain)" by Lisa J. Yarde on Ganxy

Friday, July 26, 2013

In praise of the villain

God, I love villains! They add more than just conflict to a story; they shape and impact characters and plots. Yesterday, I stumbled on a post from Patricia Wrede about plots without villains. I'd have a very hard time with that concept. My antagonists always serve a purpose; they stand directly in the path of the protagonist. Where the villain is not wreaking havoc, he or she is at the very least opposed to everything the hero or heroine stands for and serves as the foil to prevent the ultimate goal from being achieved. 

Why do I enjoy villainy so much? As a writer, it's an incredibly challenging experience to get into the head of a person you would absolutely dislike or fear in real life, one who does things you would NEVER do. An individual with a peculiar form of tunnel vision, who never sees the big picture and concentrates on his or her intent, innocent casualties be damned, makes a great villain. Mine have been as mild as Robert de Beaumont in The Burning Candle, whose domineering personality overrules the wishes of his wife Isabel de Vermandois for an equal partnership in their marriage. Few are as ruthless as Muhammad III in Sultana and Sultana's Legacy, a man who murdered many to gain the throne of Granada, including his own father. These are horrible people, yet like a coin, each has another side where terrible fears, losses and pain dwell. Turned outward, these emotions motivate truly horrible acts. I call it giving my villain a soul, because I believe every baddie does have one. Perhaps every antagonist just needed a hug as a child? It's from deep inside that frailties cause them to strike out at others. Sort of a "I'll do unto you before you do unto me" mentality. My characters are never black and white because human nature isn't so clear cut; we all have shades of gray in our personalities.

There's another deeper component to having an antagonist in a story. At every stage of life, there is the goal and often there are things or people standing in the way of that goal. Whether that's the individual against an individual, group-think, or nature, the conflict is inherent to our existence. Where most protagonists would try to maneuver around obstacles, villains just ride roughshod over them. That sort of determination is frightening, but also intriguing and demonstrates facets of personality that can be admirable, if they weren't being used for a horrible purpose. My villains rarely win, but if they do, there's always some consequence to endure afterward. Sad fact of real life that sometimes the good guys lose, but I think more dedicated readers would be incredibly annoyed if there wasn't some justice served. We can right the wrongs of the world only on the page.

There are a few key elements for a great villain. He or she should pose an actual, dire threat to the protagonist. If the hero / heroine doesn't fear the adversary and can always find a way around the obstacles, that's not an interesting antagonist or the foundation of a good conflict. One of the best literary villains is Lord Voldemort from the Harry Potter series. He strikes fear into the hearts of everyone, even his supporters. The hero Harry has to risk the lives of others and his own to achieve justice against this ruthless foe. The best characterization of a villain also involves details of their past, in particular the emotional states that motivate their actions. Sticking with Lord Voldemort, J.K. Rowling gives him an fantastic backstory. Essentially Voldemort hates himself ; the orphan, the frightened boy shunted off to school. So, he does everything possible to overcome that past, motivated largely by fear that he will never be in control of his own destiny. As he grows weaker in the final battle with Harry, everything is stripped away from him, reducing him to that frail, fragile person. In addition, the adversary and protagonist should have some kinship; commonalities between them, which allow for an innate understanding of each other, and ultimately leads each to think the other person is wrong. Consider Harry and Voldemort, one bent on world domination and the other opposed to him. Look at the similarities. Both come from parents where one had wizarding blood and the other was a Muggle. Both were orphaned at an early age. Both found their homes and destinies at Hogwarts. When Harry defeats Voldemort and holds the greatest wand in his hand, he has a choice; the path of self-destruction or to turn from it. In essence, there but for the grace of God (or Rowling in this case), Harry could have easily chosen the same route as Voldemort because of the similarities between them.

I enjoy villains so much that I usually have the most fun writing their scenes compared with others. This was especially true with my latest, Sultana: Two Sisters. My editor wrote several weeks ago and asked whether I wanted readers to be Team Heroine (Esperanza / Butayna) or Team Villain (Miriam / Maryam). Unequivocally I replied, Team Heroine. If readers of this novel don't recognize Maryam as the ultimate evil, then I haven't done my job as a writer. Maryam has horrible experiences at the start of the novel, which motivate her cruel acts toward Butayna, but Maryam doesn't win any sympathy points with me. In the end, she pays a high price for her plotting. Yet, I adored writing about this woman and fleshing out the inherent fears that drove her. She's my favorite villain to date.

Who's your favorite literary antagonist and what makes that character stand out among villains?               

Wednesday, June 26, 2013

Blogging HNS2013: Locations in historical fiction

I learned the most damning news at the recent Historical Novel Society conference: visiting every country where my stories take place is NOT required. Shut the front door! What? Boo, hiss! Of course traveling to a story's location is required; how else can readers obtain an authentic feel for a place in time if the writer hasn't even seen the sites? Sensory detail; the touch, feel, smell and even tastes of a locale establish themselves in a reader's mind through thorough exploration. Now, how am I supposed to justify any little jaunt as "research" if I'm not required to go? This question took me back to a moment where my nephew suffered some major disappointment that really affected his two-year old life (something about some broken toy) and with the saddest face ever seen on a kid, he wondered, "Now, what I gonna do?"

Well, according to the presenters Sophie Perinot (The Sister Queens) Eliza Knight (The Highlander's Triumph), Kathryn Johnson and Adelaida Lucena de Lower (The Red Ribbon) and the moderator, Stephanie Dray (Lily of the Nile) of Location, Location: Transporting Readers to Historical Settings, authors who can't travel to their settings in historical fiction should still keep calm and write on. Ladies, you shattered my world (or at least the little lies I tell myself to justify certain repeated trips).

There are practical reasons why accessibility to a site is not always possible. As Stephanie mentioned, the locations of her novels are in ruins and underwater or in places where travel is not safe. Kathryn and Eliza suggested in those instances an author can relying on virtual tours, Google Earth and YouTube tours. While setting feeds into the authenticity of a novel, lack of access to a particular site shouldn't discourage an author. Adelaida added that it also possible to substitute a particular geographic location. If you can have access to a site, then details come alive. Sophie said jot down or photograph those things you won't see later (unless you can easily revisit), the feel of the building material or the streets beneath your feet, and the available vantage points from various locales within your setting.

All the presenters agreed on several points:
  • Even where the details aid a story, don't get bogged down in them. Your reader will be tempted and likely will skim the dreaded information dump, instead, include only those details of place and time which are compelling.
  • Historical settings change over time. If you're using a detail, make sure it’s pertinent and  did exist in the period you've chosen.
  • Balance the desire to convey information about a setting with the reality of your characters. He or she should not suddenly notice things that they would ordinarily take for granted, no matter how unique the item may be.
  • Location isn't just about setting. The emotions that characters experiences in a particular location can engage readers. If your character is imprisoned, mentioning the thick stone walls, iron bars and the small, confined space helps convey the proper mood.  
  • Your readers will fall in love with the setting if you have.
  • If you've done the research into a location well, you can establish yourself as an authority and thereby gain readers trust.
Next up, one of my favorite topics - historical fiction outside the mainstream. It's not just all Tudors and Regency, you know.

Monday, June 24, 2013

Blogging HNS2013: Swordplay and Its Influences on Culture

Ya'll know I'm a history nerd buff who loves to experience places and elements of the past, right? So, what's the best thing you can do for a girl like me? Apparently, if you just put a sword in my hand, I'll be on top of the world! As I so delicately supported the weight of this steel sword here, the weapon of choice for several of my male characters and one female character, one thing struck me. The metal is not as heavy as I imagined it might be. Makes perfect sense because if you're trying to survive a battle, can you be really effective with a weapon you can't even lift up, much less wield?  At this particular moment where the lovely J.F. Ridgley helped me by taking this shot, all I could think was, "Thank you, Jesus! I can now die a happy woman because I have held this sword in my hands." J.F. actually wanted me to pose with this beauty; I was more concerned about cutting my hair, dress or those purple manicured toes you can't see in my sandals. Oh yeah, and of course, the lives of other attendees too. Next time, it'll be jeans and sneakers for that kind of demonstration. It couldn't get much sweeter than this moment, folks. Well, it could (millions of daily sales on Amazon would just about do it), but very little topped the swordplay session during the recent Historical Novel Society conference in St. Petersburg.

Swordplay and Its Influences on Culture presented by David Blixt (Her Majesty's Will)
So, who do I have to thank for this amazing opportunity? The very wonderful and personable David Blixt is an author, actor and as soon became obvious, David clearly loves historic weapons and historical fiction. He also enjoys teaching authors how their characters would properly use such weapons. More on that later! David started off with an introduction to our enthusiastic audience on the history of swords and the mechanics of wielding a weapon.  First, he talked about the parts of sword. There’s the boss or pommel, the non-pointy, other end of the sword, which can apparently be used to bash someone’s head in (never had anyone do that in my books before, but will remember that for use in future titles). Also handy for keeping a  sword in one's hand.

The grip or handle that always seems to be covered in leather strips is followed by the crossguard, or as my Norman / French characters might have referred to it, the quillon. It's the horizontal piece of metal. Interestingly, at least to me, the crossguard does not appear in earlier weapons, as I found out in researching warfare between the Norman English and Welsh. The pommel, grip and crossguard make up the sword's hilt. The blade has different parts to it; the tang is the blade shaft that fits into the hilt and the forte is the section closest to the hilt. The fuller or the groove down the center is mistakenly called a blood groove, but I can't remember why - sorry. The foible, which for a geek like me suggested the weakest part of the blade even before I was told just that, and the tip of the blade follow. The tip's what Arya Stark would call the pointy end or most of us would say is the "business" end of the weapon.

David talked about the evolution of swords firsts used as hacking weapons. Leave it to the Romans to figure out that while their Germanic enemies were essentially wearing themselves out by fighting against armored soldiers behind shields in formation, the best weapon to use would be something that could be easily pointed and thrust into someone's exposed parts. The gladius was born! The Romans always fought right-handed so that the left could be defended by the shield. The broadsword and longsword developed later and could be used with both hands. Then come rapiers for slashing and stabbing. Another interesting tidbit is that English rapiers were limited to 33 inches so people wouldn't walk around the court of Queen Elizabeth I cutting each other to pieces. 

David also mentioned a neat tie between dance and fighting; Shakespeare's dancing masters were also trained in the swords and dances of the time reflected weapons training. The particular bow adopted where one leg was extended also happened to allow the hands to quickly grab a sword as soon a person straightened. It may be that from this action where we can find the origins of  the phrase, "Break a leg" or rather make a leg. In his wrap-up, David also mentioned fight books detailing moves by the 15th century master Hans Talhoffer and Fiore dei Liberi are available if authors really want to study the moves and positions.

But what's better for an author than training with the weapons our characters use? There were broadswords, longswords, rapiers, daggers and axes on hand at David's session. Even better, everyone of us who wielded something managed to survive and not kill our fellow attendees, which is always a plus - blood is so hard to get out of thick carpets! David showed us how to put weapons to effective use. For our characters, of course!


  

David also provided a link to Starfire Swords Ltd., which makes a variety of swords and daggers. I have now found the best looking Middle Eastern scimitar I have ever seen and of course, must buy it. For decorative purposes, of course. In addition to thanking David for an excellent workshop, I also need to pick his brain about a match-up for a future book: need to know when comparing the medieval swords used by Christian knights and the scimitars of the Middle East, the sort of advantages one type of weapon might have held over another.

Next up will be another of my favorite sessions on locations in historical fiction! 

Saturday, June 22, 2013

Live blogging from HNS 2013: Religion in Historical Fiction

Well, sort of live blogging. Hello from beautiful St. Petersburg, Florida! I know you might be thinking, "Wasn't she just on vacation in Barbados? What's she doing in Florida now?" Or not. I am very happy to be attending the 2013 Historical Novel Society's 5th Annual North American conference. This one is occurring at the Vinoy Renaissance Resort. I've been to the HNS conferences before, but after several years' lapse, I'm here and a member of the society again. I missed the Friday night banquet due to some luggage and travel issues - miffed, but I got over it. The setting has veered between being hot as all hell to a torrential downpour in a matter of minutes. Gotta love that unpredictable Florida weather! To make up for all that, the sessions have been spectacular! I'm sharing a few highlights of each one I've gone to so far.

Depicting Religion in Historical Fiction, presented by Stephanie Dray (Lily of the Nile), Kamran Pasha (Mother of the Believers) and Mary Sharratt (Daughters of the Witching Hill), and moderated by Teralyn Rose Pilgrim. 

As you may know, I have written about Muslim, Jewish and Christian characters, so I'm particularly sensitive to this topic. I'm a huge admirer of author Sherry Jones, but each time I write part of the Sultana series, I can't help remembering the tribulations Sherry so graciously endured when her Jewel of Medina was published. How does an author tread the fine line between engaging readers and courting controversy by discussing religion in novels?

As the discussants all mentioned, religion matters. Belief has shaped society and given it purpose. Authors at times are afraid to offend or think the characters of various religions will seem almost alien and won't foster connections with readers. Stephanie talked about how ancient world religions are foreign to most, yet she discovered in writing about Cleopatra's daughter that Isis worship is a forerunner to Christianity and many would be surprised at how some of its practices mirror those of the past. Scandalous! Kamran, as a practicing Muslim, is quite conscious and sensitive to the need to write with authenticity about his own religion, as well as the others he depicts. The biggest takeaway he offered was about overcoming one's own prejudices to write about belief faithfully. In his words, "Be cool with what you got" which means that if you are grounded and comfortable in your own convictions as an author, you can write with ease about other religions. There is the image we each hold of a religion and then there is the experience of that belief system, two very diverse concepts. Mary suggested that in writing about religions, authors refrain from criticism of beliefs which diverge from their own; personal conviction should be treated with respect because everyone has different POVs. Sound advice.

As with any controversial topic, some readers are liable to take offense where religion is involved. The panelists all suggested that this risk only adds to the discussion, so authors should not be afraid to take on the topic. Religion divides and unites universally. I think Stephanie put it best, "All spiritual people seek the same thing. Religion is a human experience."

Do you read or have you written works that incorporate religion and practices of faith? What do you think of novels that do this? How have your own personal beliefs been affected by what you have read? Are there recent novels you can think of which have handled religion very well?

Later, weapons in historical fiction, with pictures! Yours truly got to handle a broadsword, rapier and axe (I swear, no fellow attendees were harmed in this attempt).       

Friday, May 31, 2013

It's not about the money. It never was.

I saw a great article today at Wise Ink entitled Should Indie Authors Care About Money and immediately, my blood was up. It could also be that it's another hot day in the underworld aka New York City. Why did this article's title send me into a tizzy? After all, how dare someone even ask the question? Isn't an indie author just like any other author? Don't we sweat blood and tears over every word on the page? Don't we work with self-imposed deadlines to get a book out? Don't we scour the internet and bug other writers for the name of the best freelance editor / cover artist / proof reader we can afford? Don't we care as much about our books as those who've been "picked" by traditional publishing? My books are a second, full-time job. I take no vacation and lose countless hours of sleep until they are done. I spend at least $1,200 - $1,400 per title on the artwork, editing and proofreading alone. I won't add the costs of research books, because honestly, that's part of the fun of being a historical fiction writer. Damn straight, I want to get paid for what I do.     

The article talks less about money, more about the mission of writers and what our goals may be. I have a mission. Mine is to put forgotten places and people on the map, to make them as well known as Anne Boleyn and Henry VIII in the Tudor Age, or the sea rovers of the Viking age. Does my mission serve the greater good or change someone's life like a self-help book might? Of course not. It does (hopefully) entertain and enlighten readers who might not be familiar with certain periods of history, by introducing foreign concepts and people of the past who are at times strange and familiar. There's a certain magic that happens with a new historical fiction novel, where readers can learn about another time and place. This article made me wonder, would I still be a dedicated writer if I wasn't getting paid every month?

In my first month of self-publishing back in 2010, I made $99.01 with On Falcon's Wings. In the first quarter of this year, I've made $3,359.18 from six titles. I'm paying a few bills and enjoying little extras. Most of my writing income gets set aside for estimated quarterly tax payments with some towards the next title. If I stopped earning, of course I'd be disappointed. It would never stop me from writing. Self-publishing has never been about the money. If people are actually considering self-publishing because they hope to get rich right away, please reread the Wise Ink article again - Hugh Howey and Bella Andre are NOT the norm. The norm includes people like me. For me, self-publishing is still about the mission, which is at the heart of my passion for writing. I got started when I found certain periods of history interesting and wondered if there were readers out there who would like to know about them too. A bit of change in my bank account every month is a nice plus, but even if I didn't have a profit to show, lack of revenue right now wouldn't stop me. I'm thinking long-term, about the journey, rather than just the destination. The fact is my books won't be booted or buried by one distribution channel if they don't take off like a rocket making gobs and gobs of money. There are many things I admire, even envy, traditional writers for, but that particular pressure is not one of them.

I'd love to hear from other writers - what got you started and how important is the revenue for any future publishing plans?        

     

Wednesday, May 1, 2013

Monday, March 25, 2013

Leibster Blog Award Challenge: 11 Random Facts & Questions

I've been nominated for the Leibster Blog Award Challenge. Thanks to Judith Arnopp for the tag. Judith is the author of historical novels and short stories, whose writing spans the medieval and Tudors era and immerses readers in the particular period. According to Judith, I'm supposed to list 11 random facts about myself, answer 11 questions Judith posed at her blog and then nominate 11 other blogs that deserve more notice.

First off, 11 random facts about me.

1) I was born in the parish of Christ Church, Barbados to two nurses. No kids of my own, but I'd love two or five. I have an older sister and two brilliant tween nephews. Grew up in an extended family of grandparents and lots (and I do mean lots) of cousins. We're all scattered now, with a few still in Barbados, the majority in the US and others in England and Wales. Family is very important to me and I love it when we get together. There are four countries and three US states represented in this family pic. (Can you spot me?)

2) I am not a morning person! Used to be, but the daily grind has sucked that out of me. My ideal job would start at 1pm and end around 9 at night. I'd only willingly wake up at the crack of dawn everyday to write.

3) While I use the middle initial J for my publications, I have two middle names: Janine Michelle. Why do I only use the first one? Official government forms forced me to pick one middle initial or middle name for my documentation. Janine came first, so that's what stuck. Sorry, Mum!

4) I'm soft-spoken. naturally shy and inhibited, unless a) there's no time to retreat into my shell, b) the person I'm with is a dear friend or loved one, or c) someone has really managed to piss me off and bring out the hell-fire in me.

5) Speaking of personality, I talk to myself on a regular basis and have answered too. Helps to reason things out. Anyone who knows me well doesn't judge. At least, not out loud or within earshot.

6) Cupcakes are my addiction, but I'm kind of a snob, as only the pretty ones will do. Being a diabetic doesn't go well with loving cupcakes, so more often than not, what I really have is cupcake envy.

7) I am not a cat person. Nuff said.

8) The writer I most admire in this world is Frank Herbert, who introduced the concept that's key to everything I write: world-building. Since his Dune series hooked me, I haven't found anything to equal it. George Martin's A Song of Ice and Fire series comes a distant second, but Herbert is a master at political intrigue and tenuous relationships. So I want to be Frank Herbert when I grow up.

9) I'm a serious PC gamer, as in  long weekends glued to my computer building and blowing stuff up. If it can be played on  a PC, I think I've played it. Even better, the nephews are hooked and looking forward to test-driving new games at ComicCon in October. Once the next book is done, I'm taking a much-needed break for Bioshock.

10) At the age of eight, I decided to become a lawyer. Fifteen years later, I started to regret that decision. Now, I wish I'd never made it. I was born to write, but it doesn't pay the bills. Not yet.


11) If I had the time, I'd finish studying Portuguese and learn Spanish, Arabic, Russian and Japanese. If I had the money, I'd buy vacation homes and split my year between Barbados, Brazil, Italy, Morocco, New Mexico, Spain, Turkey and Wales.

How's that for random? 

The questions Judith asked are:

1. When you aren't blogging or writing what do you like to do best?
See the aforementioned gaming. I've embraced my geekdom. Don't judge me.


2. How did you become a writer?

Not on purpose. Several things converged; my love of reading history and stories of the past, and traveling to beautiful,  forgotten places. A historical fiction writer was born.


3. Which 11 people from history would you invite to dinner and why?

My writing revolved around the underdogs, the people who never got to tell their side because they lost, they were prevented from speaking because of race or gender, or their cause was misunderstood. So, I'd invite people like that to dinner.
  • Fatima, the heroine from the first two Sultana books, so she could tell me how much of her history I got right or wrong 
  • Genghis Khan, because I'd love to know what spurred his ambitions. He would have to promise not to kidnap or kill anyone at the table before, during or after dinner.
  • Gwenllian of Gwynedd, of whom I've also written, so I could tell her how much I admire her sacrifice.
  • Spartacus, whose struggle fascinates and whose choices mystify. 
  • Queen Elizabeth I of England, so I could admire her jewels and wigs.
  • Queen Cleopatra of Egypt, just to see what she really looked like. 
  • Nat Turner, so he could tell what he hoped to accomplish.
  • Boadicea, because I want to hear her side of the fight against Rome.
  • Leonidas of Sparta, for reasons that have nothing to do with history and everything to do with comparing his abs to those Gerard Butler sported in 300. Shallow, I know.
  • Harold Godwinsson, mostly to yell at him for force-marching a bedraggled army south when he should have rested them, and then to give him a hug for being so brave at Hastings. 
4. Tell us about your favorite place and what makes it so special. 

I have several, but my new favorite place is anywhere I can relax and read or write, without any distractions.


5. If  you were Prime Minister President what would you change?

My do-nothing Congress. There would be a special election to get some new members in who don't play games with American taxpayers' lives. Does that tell you how I feel about one branch of the US government right now?


6. What did  you do before you had the internet? - if you were born then of course :)

Played more outdoors as a kid and invented lots of games.


7. What people have influenced you in your life?

Hard to say, as I believe many people have shaped who I am as a person, a woman, a writer, a friend.


8. Can you remember what you wanted to be when you were five years old?

Happy and carefree. I'm still looking for just that.


9. If you were a character in a fictional classic, which would you choose to be?

I'd like to say I'd be Elizabeth Bennett in Pride and Prejudice, but I suspect my Charlotte Lucas brand of practicality might get in the way of waiting too long for my own Mr. Darcy. Either that, or I'd end a less miserable version of Mary Bennett. I'd smile more than she ever could.

10. Do you prefer wine or spirits, chocolate or cheese?

None. All make my belly hurt when I overindulge. No thanks. I'll have a cupcake.


11. Of all the blog posts you have ever written which is your favorite and why. Put a link to it here.

Two years ago, I wrote about the Ottoman Turk "reign of women" for Unusual Historicals; still one of my favorites because it helped me imagine how life must have been like for the medieval women I've chosen to write about and the moves they could have made behind the scenes.

Thanks again to Judith for the nod. Now I'm tagging in no particular order:

And here are those questions for my fellow writers victims:

1. Who is your favorite writer and why?
2. If you had to pick any one spot on a map and move there, where would you go and why?
3. Who are your top real-life and fictional heroes / heroines?
4. How long does it take from first draft to published work?
5. Among your own books, who's your favorite character and what's your favorite book?
6. Why do you write about certain characters, settings or in a particular genre?
7. Who knows you best in life?
8. What's your earliest memory and why does it stick with you?
9. How did your first job impact what you do professionally today?
10. What did you buy with the first royalty payment?
11. If you weren't writing, what would you be doing instead?

Sunday, March 10, 2013

The Music of Sultana: Two Sisters

How many authors out there listen to music when you're writing? I can't be the only one. Writing is a preferably solitary activity; seriously, I cannot think of what comes next, much less type one letter on the keyboard if anyone else is in the room. I'm not one of those writers who needs absolute quiet while at my computer; I just need the right kind of music to craft one good scene or several.

It's vital to the process, keeps the sometimes fickle Muse close at hand and ensures I stay focused and energized for long hours of writing and editing. The words, the feelings and thoughts of the characters just flow across the page when I'm inspired by background music. There, now you know my best secret for "getting in the zone" and evoking certain moods in scenes. While working books from the Sultana series, the rich musical traditions inherited from Moorish Andalusia connected me with each story even more. Apologies to the family and the neighbors for playing Juan Martin's Musica Alhambra every morning and the loud flamenco music on Sunday evenings. But how could anyone not be captivated or stirred by the oud or guitar?

With Sultana: Two Sisters, I began an exploration of the role of Jewish people in Moorish society. Naturally, my listening tastes now include music that evokes the Sephardi experience in Spain. One of my favorites is the most haunting song I've ever heard, "Nani Nani" by Hadass Pal-Yarden from the album Yahudice. It's supposed to be a lullaby sung by a betrayed woman for her young son, telling him of the sorrow his father has inflicted. Sets the perfect mood for a certain scene in Two Sisters. There's also Massel Klezmorim's "Sephardic Elegy" from Jewish Travels - A Historical Voyage in Music and Song, which emphasizes the guitar throughout. Most of what I listen to tends to be instrumental, but as with my favorite, "Nani Nani", that's not a rule set in stone. The vocals on that particular track are really stirring. Almost everything in my inspirational collection is available via Spotify and Youtube, both great resources for finding music that fits the mood.             

So what's most often on my playlist while I work on this title? Listen HERE for some of what sustains me.  If you'd like to create your own free playlist, visit PodSnack, which lets you compile collections from Youtube and / or your computer. Happy writing (and listening)!  

Ready for the cover reveals of the Sons of the Dragon novellas?

All three covers of the Sons of the Dragon novellas are ready. My cover artist, Mirella Patzer, did a stellar job as usual. It helps that we...